It was one of those afternoons in Mumbai –
the rain pelting down the rooftop, the sun mired in a lost tussle with the
clouds while the winds wrestled for the right direction. It was a day – bane and
sterile – incapable of arousing any single thought, let alone inspiring the
idea of an entire blog.
And it is with that unexciting texture on
my mind that I entered the multiplex to watch Batman’s escapades to save
Gotham. And while the movie promised much, I got value for money even before
the movie began.
The unending sequence of ads on the
gigantic screen was followed by the 52 seconds that most beautifully captured
my imagination. This was the time of the National Anthem, but with a different
touch.
Those participating in the rendition were children,
the likes of which had never seen the sun rise or heard the birds chirp. They
were kids, presumably in their early teens, living a life, parts of which God
had discounted at their very birth.
How then did they connect Jana Gana Mana like no one else had ever
done? Their hands glided the air as the tune read – Vindhya Himachal Yamuna Ganga, their legs ankled up in lofty
fashion to symbolise the gigantic reach of Punjab,
Sindh, Gujarat, Maratha; as their eyes glistened with pride at the last salutation
– Jaya He Jaya He Jaya He. This was patriotism
speaking through silence, this was nationalistic
fervour shining through darkness.
At that moment, how many of us gasped a sympathetic
sigh for the ‘incompleteness’ of their lives. A strange paradox it is, but my
guess is their incomplete lives were far more complete than ours.
From what I saw on the screen, they had
made those 52 seconds their own – breathing in feelings and communicating through
symbols – far louder and clearer than words could ever achieve. We have been gifted the science to see and hear better than them, but they have learnt the art to feel and live better than us.
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